Allez encore un mythe de la Torah et de la Bible qui s'effondre ! Une nouvelle fable qui s'écroule ! Ce qui rapporte encore une fois la preuve que tout a été copié à partir des récits de la création de la religion sumérienne qui leur a été imposée par les Grands Dieux AN-NUNAKIS reptiliens !
Nous avons ainsi la preuve que le Dieu vengeur et méchant dont ils nous parlent dans leurs écrits dits sacrés, n'a jamais existé et qu'il n'a rien détruit du tout ! En revanche les AN-NUNAKIS et les hybrides/reptiliens savent que leur planète/vaisseau Nibiru qui est le Soleil Noir, revient tous les 3600 ans et qu'elle participe par sa force magnétique à provoquer l'inversion des pôles magnétiques de la Terre, des perturbations climatiques et forcément le débordement des mers et des océans ! Ce qu'ils doivent attendre avec impatience qu'elle revienne bientôt pour se débarrasser de nous et instaurer leur Nouvel Ordre Mondial avant le retour de leurs Grands Dieux AN-NUNAKIS auxquels ils ont promis de livrer la Terre et toutes ses richesses.
Le déchiffrage d'une tablette d'argile cunéiforme par le professeur Irving Finkel du British Museum est le point de départ d'une enquête sur le mythe du Déluge et de Sumer. L'arche était décrite sur une tablette sumérienne qui date de 1000 ans avant JC qui est décrite pour être ronde (un ovni?) et qui n'a jamais été construite, selon ses travaux de recherches qui auront duré 20 ans.
Voir le documentaire sur FranceTV5 en replay durant encore 1 jour !
La vérité sur l'arche de Noé
Diffusé le mer. 24-12-14 à 15h06 | Plus qu'1 jour en replay
Documentaire | 55' | Tous publics |
Le déchiffrage d'une tablette d'argile cunéiforme par le professeur Irving Finkel est le point de départ d'une enquête sur le mythe du Déluge et de Sumer.
Quelques articles ci-dessous notamment en Anglais.
L’arche d’avant Noé
Une tablette mésopotamienne exposée au British Museum vient d’être déchiffrée par un éminent assyriologue britannique qui livre son étude au terme de 20 années de travail dans un livre intitulé « L’arche avant Noé ».
Irving Finkel affirme que la tablette raconte la construction de cette arche… qui était ronde !
La tablette date de 1800 avant JC, soit 1000 ans avant le récit de la Genèse… Une preuve pour cet homme de l’ancienneté millénaire du mythe du Déluge, que la Bible aurait repris fidèlement : un grand arche, dans lequel les animaux iraient deux par deux …
Articles en lien :
*- Babylonian tablet shows how Noah's ark could have been constructed
*- Noah's ark was round – so the ancient tablet tells us
Irving Finkel, curator of the British Museum's 130,000 Mesopotamian clay tablets, has spent 20 years investigating one that challenges the story of Noah and the flood
Irving Finkel at the British Museum. Photograph: Sarah Lee for the Guardian
Irving Finkel is the curator from central casting. Battered clothes, bushy white beard, little circular glasses, boundless enthusiasm. From a distance he looks about 100, but as he sprints across the British Museum's Great Court to offer the warmest of handshakes – he is 10 minutes late for our meeting – you realise he is much younger. In reality, he is 62 going on 12, since a lifetime spent examining the clay tablets of ancient Mesopotamia has left him seemingly unaffected by the cares of the workaday world.
"The man who is tired of tablets is tired of life," he announces in his delightful new book, The Ark Before Noah, which sets out to demonstrate that the biblical flood narrative was derived from stories that had been embedded in Sumerian and Babylonian society and literature for thousands of years. The book revolves around a clay tablet dating from about 1800BC with 60 lines of cuneiform (the tiny, wedge-shaped script on the tablets), which relate part of the flood story. Finkel first encountered this "Ark tablet" almost 30 years ago when a member of the public brought it to show him. He has spent the past 20 years translating the text and putting it in the context of other flood literature, and is now ready to unveil it to the world. This is in the form of his book and a Channel 4 documentary, due to be shown in August, which is building the ark to the specifications on Finkel's tablet to see if it floats.
Finkel's bombshell – and the point of the Channel 4 programme – is that he reckons the original ark was round. "The fact that the ark was round is the headline finding," he says. "It's something nobody in the world had anticipated because everybody knows what Noah's ark looked like." All those pictures of oblong, multi-decked boats that look like neat country cottages will have to be redrawn.
The mobile phone-sized ark tablet is housed in a posh-looking red box with "Instructions on the Building of the Ark" written on it. Finkel takes the tablet out of the box and lets me hold it – a chance to commune with the ghosts of ancient Mesopotamia. I manage not to drop it. As well as casting new light on the shape of the original ark, it also contains the first written allusion to the animals "going in two by two". In the book, he describes unearthing this reference on the broken, weathered tablet with its worn-out wedges as his "biggest shock in 44 years of grappling with difficult lines in cuneiform tablets ... I nearly fell off my chair." He is good at conveying the excitement of academic discoveries, a television natural.
The tablet in Irving Finkel's hand casts new light on the shape of the ark. Photograph: Sarah Lee for the Guardian
He could have written up his findings in an academic tome that would have pleased his peers, but he has instead produced a digressive, amusing, personal book for the general reader, a book that is willing to ask big questions – such as how did the Babylonian ark story find its way into the Bible? – and make the odd educated guess. "There's very little in existence that helps people with this subject. Mostly we're orientated to make it seem forbidding and difficult."
The first draft was written in what he calls a "very defensive" way. "In the world of scholarship," he says, "you don't make a statement without supporting it with footnotes and references to German periodicals."
"When I first wrote the book I did it feeling that all my colleagues were going to read it and they'd be saying [puts on whispery academic voice] 'I rather doubt ...' But when I wrote the second draft, I suddenly had this brilliant idea that I would forget my colleagues existed and write for everybody else, which was very liberating. It meant I could speak with my real voice." In the book, Finkel explains his own route into Assyriology and his continuing love affair with the subject. He had wanted to be a curator at the British Museum from the age of nine, and was overjoyed when he joined in 1979. But how will those colleagues react? "I don't know," he admits. "They'll probably all gang up against me at conferences and throw fruit."
Finkel wears several academic hats. As well as being in charge of the museum's 130,000 clay tablets, he looks after its collection of board games and has made it a personal crusade to preserve old diaries, launching the Great Diary Project to "provide a permanent home for unwanted diaries of any date or kind".
What links Mesopotamian inscriptions and the humdrum diaries of elderly ladies from Carshalton? "I had this sudden epiphany that diaries were like clay tablets," he says. In 4,000 years time, the shopping lists of elderly ladies in Surrey will be pored over with fascination. Finkel sees his mission as rescuing artefacts of the past – clay tablets, obscure Indian board games, the diaries of ordinary people – before they are swept away, a latterday Noah constructing a cultural ark. A round one of course.